Bjork has decided to return to the big screen, this time in a surreal new film by artist boyfriend Matthew Barney.

The 40-year-old singer, actress and composer, who had insisted she'd never act again after hating the experience on the set of Lars von Trier's Dancer In The Dark, plays a woman who becomes a whale in Drawing Restraint 9.

In the film concerning the theme of self-imposed limitation, which continues Matthew Barney's interest in religious rite, this time focusing on Shinto, Bjork and Barney play a couple preparing for a traditional Japanese wedding, who find themselves stranded on a whaling ship. After seeing the horrors of the whaling trade, they chop off their legs and transform into whales.

Drawing Restraint 9, was shot in Nagasaki Bay on board the Japanese whaling ship Nisshin Maru.

Its core idea is the relationship between self-imposed resistance and creativity, a theme it symbolically tracks through the construction and transformation of a vast sculpture of liquid vaseline, called "The Field", which is molded, poured, bisected and reformed on the deck of the ship over the course of the film.

Barriers hold form in place, and when they are removed, the film tracks the descent of form into states of sensual surrender and formal atrophy; this shift in the physical state of the sculpture is symbolically mirrored through the narrative of The Guests, two occidental visitors to the ship played in the film by Matthew Barney and Björk, who we first see taken on board, groomed, bathed and dressed in mammal fur costumes based upon traditional Shinto marriage costumes.

They take part in a tea ceremony in which, in the film's only moment of spoken dialogue, they are informed about the history of the vessel, and then, as an increasingly powerful lightning storm breaks out overhead, the tatami mat room they occupy floods with liquid vaseline, a fluid which we sense has emanated from The Field sculpture itself.

In a harrowing liebestod which is the climax and centerpiece of the film, the Guests, locked in an embrace and breathing through blowhole-like orifices on the back of their necks, take out flensing knives and cut away each other's feet and thighs. The remains of their lower body are revealed to contain traces of whale tails at an early stage of development, suggesting rebirth, physical transformation, and the possibility of new forms.

Having reached a state of maximum disintegration, the sculpture of The Field
is then reorganized and the ship emerges from the storm, sailing through a field
of icebergs towards the open southern ocean. In the last shot, two whales can be
seen swimming behind the ship, headed for Antarctica.
(www.bjork.com)

Bjork is performing the songs on the short film's soundtrack

Drawing Restraint 9 will be at the 62nd Venice Film Festival, which starts on the 31st of August.